A letter to the Office of General Counsel of the United States Holocaust Memorial Museum.

 

From : blueeyedboysisu@proton.me
To : ogc@ushmm.org

 

This is to notify the United States Holocaust Memorial Museum of my intent to bring legal action against the United States Holocaust Memorial Museum for their role in presenting the false and defamatory documentary “The Last Days” as a work of true history.

 

Since age 16 years old, I have been a victim of this insidious racial propaganda. As the grandson of a US Army veteran who loaded the planes which went to Normandy, the presentation of Paul Parks, a black servicemember who claims he landed on Normandy Beach first to defuse mines for the white servicemen who follows is stolen valor which disgusts me to my core. Especially how this stolen valor false witness is used as insidious racial propaganda for a religious cult.

 

Many American heroes including Felix Sparks, commander of the liberating force at Dachau have protested this film, as Parks also claims he liberated Dachau and was even in a prior widely discredited and pulled from public airing hoax documentary, “Liberators : Fighting on Two Fronts During World War 2” which similarly stole valor for a certain cult’s propaganda. Yet the United States Holocaust Memorial Museum has done nothing to vet the false witnesses in this film, and in fact promoted “The Last Days” to show in US Congress as a representation of true history.

 

 

And this has yet to get into the absurd falsities of Irene Zisblatt, who tells outrageous lies which will echo through “Holocaust” history forever hundreds of years into the future. From being selected to become a lampshade by Dr. Mengele, to having her non-existent Auschwitz tattoo removed by Mengele in an excruciating operation on a rusty table, to moonwalking backwards out of a Birkenau gas chamber to being thrown over the electrified barbed wire gas chamber fence onto an open train, it’s one disgusting lie after another. But her calling card claim of repeatedly defecating and swallowing feces covered diamonds for a year and a half while in Auschwitz and on death marches is a bridge too far.

I have dedicated my life to fighting such falsehoods, as this is an insidious form of child abuse and a representation of a scatological fetish known as coprophilia, displayed and promoted by Spielberg. This film was produced by Ken Lipper, whose fraudulent hedge fund overstated its assets by 40% and his second in command imprisoned. This film is a similar fraud but has been perpetrated specifically against children, and is now on Netflix presented as true and good.

I have suffered very real damages since exposing the falsehoods, I was first banned from Stanford University, where I uncovered Zisblatt’s outrageous USC Shoah Foundation testimony where she makes even more outrageous claims than the historian on the project, Rabbi PHD Michael Berenbaum, smooths over for the Academy Award winning fraud documentary.

 

My family was conned into believing some adult somewhere looked into this more than me, and has been taught to hate me, and think what I have done resisting this vile fraud, which makes all Americans dumber, and dangerously susceptible to foreign cult propaganda, is somehow wrong. I have suffered tremendous effects and very real damages to my life and career to be further detailed in court.

 

In absence of a public apology to me and my family, public exposing of this fraudulent film including a public request to pull the vile hoax from Netflix, which mocks Normandy and Dachau veterans and all World War 2 veterans, including Holocaust survivors, and a financial settlement, consider this the six month required notice necessary before I bring legal action against the United States Holocaust Memorial Museum.

 

Of course we are to note the historian on this project had a key role in the United States Holocaust Memorial Museum. Considering he represents a fumigation chamber door of Majdanek as a homicidal gas chamber door, and other heinous deceptions, there is much left to settle at your museum of biased “history.”

 

Eric Hunt
  • To be contacted at this email address